The missed opportunities of Tom Stoppard’s ‘Leopoldstadt’

(JTA) — Tom Stoppard is one of those playwrights who flatters you with his erudition. His 1993 play “Arcadia” dives deeply into the mathematics of algorithms and fractals. His breakthrough 1966 play, “Rosencrantz and Guildenstern Are Dead,” is a graduate school-level midrash — an alternate telling — of “Hamlet.” You leave the theater feeling smarter, […]

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